The New York Film Festival ended on Sunday, October 12th, and i must say that it proved to be an exceptionally good festival. Not only that, but i have to say that it might be considered a defining festival, because this is the second festival under the directorship of Kent Jones, and it definitely established itself as distinct from the festivals under the fist director, Richard Roud, and the second director, Richard Pena; most specifically, it ended on a high note, one which (i think) proved to be historically significant.
During the first week of press screenings, there were indications that there might be special events which were not being revealed at the time. Last year, the "sneak preview" screening which had been introduced three years ago (the film was Martin Scorsese's "Hugo") was not included. The problem has been the brouhaha over the sneak preview of Steven Spielberg's "Lincoln"; the critical acclaim for that film (and for Daniel Day-Lewis' performance) drowned out whatever critical reaction attended such films as Robert Zemeckis's "Flight" (with its performance by Denzel Washington) which had been the closing night selection. So the distributors and studios which had their films booked as part of the Main Slate of the festival felt duped, and there were complaints. This year, the sneak preview turned out to be Noah Baumbach's "While We're Young" which, though it got a solid critical response, did not swamp the hype around David Fincher's "Gone Girl" (opening night) or Paul Thomas Anderson's "Inherent Vice" (centerpiece) or Alejandro G. Inarritu's "Birdman" (closing night).
But the film which trumped every film in the festival was the surprise film that had its press screening and its public screening on Friday, October 10th: Laura Poitras's "Citizenfour"! By this point, the film has opened in several major cities, including New York, Los Angeles and San Francisco. There's a lot to say about this film, but i should like to say that the screenings on October 10th were galvanizing: it felt historic! The New York Film Festival was taking a bold stand, and the focus on documentaries which is becoming a defining characteristic of the current artistic direction of the Film Society of Lincoln Center had premiered a documentary which was truly a part of history. And in this, Kent Jones was making a bold statement about his stewardship of the New York Film Festival. I can only say that this documentary about Edward Snowden was extraordinary, truly thought-provoking and brilliantly structured so that it was informative and politically volatile. What a coup!